The death of a loved one is an event that is at once unique and universal. Most people have to deal with it at some point in their lives, and although the experiences are personal, the questions linked to attitudes are often the same.This film seeks to be two-dimensional: encounters and interviews with professionals whose job it is to deal with these questions and, at the same time, make known questions people ask themselves.he involvement of the writers is implicit; the choice of a subject such as this is neither random, nor a matter of simple curiosity. Their experience is both at the origin and is the motor of the film, and as such has no reason to remain in the background. Moreover, it is inadequation with the subject, eminently human and intimate. With the questioning taking on a human dimension, it retains an all the more personal and emotional aspec.

In official competition